/ Modified mar 4, 2016 2:14 p.m.

"The Soul of an Octopus"

A conversation with naturalist and author Sy Montgomery about her ongoing quest to better understand the consciousness and emotions of animals.

sy with snakes spotlight Sy Montgomery in a Manitoba snake pit with 18,000 snakes. (PHOTO: Nic Bishop)

sy with kakapo portrait A kakapo named Sirocco attempts to mate with Sy Montgomery's head. Kakapos are a the most endangered parrot on earth. (PHOTO: Nic Bishop)

In 2012, deeply involved in researching, drawing, and collecting true first-person encounters with ravens, I was lured from Santa Fe to Tucson by a perfect combination--a book festival, Sy Montgomery, and, in particular, her book of essays, Birdology: Adventures with Hip Hop Parrots, Cantankerous Cassowaries, Crabby Crows, Peripatetic Pigeons, Hens, Hawks, and Hummingbirds.

We met; I told her about my ravens, and a friendship was hatched.

In 2013, I returned to Tucson to accept the Tucson Festival of Books Literary Award for Non-Fiction for my illustrated book-in-progress, Listening to Raven. After calling out the news to the ravens around my studio, I called Sy, who was working on a book about octopuses – not octopi.

This year, Sy Montgomery returns to the book festival with Soul of an Octopus: A Surprising Exploration Into The Wonder of Consciousness. - Beth Surdut

Listen:

LISTEN

Sy Montgomery Interview

Conducted & transcribed by Beth Surdut (contains additional content not heard in radio interview)

Beth: Sy Montgomery. It’s so good to talk to you today. You know you really are a bold one. Your newest book, Soul of an Octopus, I looked at that and I thought, you were writing about animal cognition and emotion when even respected animal behaviorists— Jane Goodall, for instance—wasn’t publishing their own ideas because the scientific community wouldn’t accept them. Would you have been able to title a book Soul of an Octopus when you first started writing about animals?

Sy: No, absolutely not. You are so right, Beth. I think now, though, the world is ready to accept that animals have emotions and thoughts and feelings and that we are not alone in the universe in having consciousness. In fact, as you know, in 2012, the consortium of neuro-anatomists and neuroscientists and other scientists got together in Cambridge, in England, to write and sign the Cambridge Declaration on Consciousness saying that all mammals and birds, and certainly some invertebrates-- they mention octopuses specifically-- have what they called the neural substrate necessary to generate consciousness.

So what you and I have known, and many of your listeners have known for decades, and many humans have known for centuries, now is being recognized by scientists and philosophers who weren’t ready to acknowledge that even just a few decades ago.

Beth: Are you familiar with the quote from Thoreau—so this would be in the 1800s-- Thoreau said, “Surely the most important part of an animal is its anima, its vital spirit, on which is based its character and all the peculiarities by which it concerns us, yet most scientific books which treat of animals leave this out altogether.”

Sy: Wow, that’s a great quote. That is a fabulous quote. Well, he knew stuff. Thoreau knew stuff. That’s for sure. That’s the thing, you know.

You, too, you’re an excellent observer of the natural world. To those of us who watch and listen, these truths are revealed to us. And I think you have to almost purposely blinder yourself to the thoughts and feelings of animals to deny that they exist. And anyone who’s had a pet dog or a pet cat can see this, can testify to it. It’s a little harder to see in an octopus, maybe, because we don’t get see octopuses as much as we might want to. But of you look, it’s there.

Beth: Well, I look at all the animals you’ve written about-- the golden moon bear, the tree kangaroo, the kakapo, the tapirs, snow leopards. Those are either exotic or cuddly looking.

And then there are the ones you have to respect—the raptors, the falcons, the Harris’ hawks, the man-eating tigers.

But you’ve got this other group of beautiful interesting creatures that are so different from humans that some people are scared of them, some people loathe them—tarantula, snake, and octopus---Three hearts! Suckers!

Sy: Ayup, and tasting with your skin. And being able to slip through a tiny opening because you haven’t got any bones at all, and a brain that wraps around your throat, and arms that, if severed, can go off and do things including change color and even hunt prey—this can freak some people out.

But how many people watched ET and loved that alien. Loved that alien for both the way it could connect with its children friends, but also for the ways it was so different from humans. And here we have, right on our planet these alien creatures, but they live in our world. And to me that is so exciting, it’s such a privilege and a lot of these critters…I mean, you’re not necessarily going to bump into an octopus if you don’t live near an ocean, and particularly some of the deep sea species of octopus.

But spiders, even if you don’t have a tarantula, all of us can meet a spider. If your like me and don’t vacuum too much, there’s tons of them right in your basement. But these are alien creatures, too, have what we would consider super powers if they belonged to a mammal.

They can shed their skin; they can taste with their feet. Many spiders, if they hurt their leg, they can pull it off and eat it and grow a new one. Wouldn’t that be great if we could do that?

Being able to pull this amazing substance, stronger than steel that they can pull out of their bodies and build webs with this. Wow. These are incredible creatures, and yet they’re amazingly common.

And we should just walk around this world gobsmacked, I think, realizing all these complex lives going on around us. Animals with powers that we only dream of, and yet all of them are thinking and feeling much as we do, and all of them love their lives as we do.

sy and cheetah unsized image Sy Montgomery with an orphaned cheetah in Namibia. (PHOTO: Nic Bishop)

Sy Montgomery with an orphaned cheetah in Namibia. Photo by Nic Bishop.

Beth: I never thought that I would cry over the story of an octopus, but I did, I did.

Sy: Oh, Beth.

Beth: When one of the girls in your book thought that she had viable eggs and tended them…could you talk about what happens to an octopus when they have eggs.

Sy: Well, octopuses lay eggs at the end of their lives, and they do it in darkness, no one can really see this happen, but we would come in and day after day there would just be more and more eggs.

Their eggs are the size of a grain of rice each, and they’re hung almost like clusters of grapes which they glue to the ceiling and the walls of their lair.

And from the moment the female octopus starts laying, until the time she takes her dying breath of water, she is completely devoted to these eggs. She will never leave her lair. She will never leave her eggs. She will not go hunting for food and sometimes even if you hand her food she won’t accept it, because her job, her whole raison d’etre, now, is to protect and clean and fluff and tend these eggs.

And when Octavia laid eggs, it was a bittersweet moment for all of us at the aquarium because we had enjoyed interacting with her. She knew who we were. She would look us in the eye and come over changing color with emotion, with excitement. She’d change red, she’d be so excited to see us. And greet us and put her suckers on us and let us pet her and we would play with her.

But once she laid those eggs, never again would she want to do that, because this was far more important. So we would see her fluffing the eggs, cleaning the eggs with her suckers, using her siphon to blow water across them to keep them clean.

Protecting them from, even though there weren’t really any other predators in her tank, there was always a chance that the sunflower sea star might come over and want to eat some of her eggs, so she was guarding the. She was the most devoted mother.

And there were times that people would come by and look at the exhibit and the octopus wasn’t moving much and they would be like “oh, well, that’s boring.”

But then you’d point out, “No, that’s a mama octopus and look, here’s her eggs,” and then people would be fascinated.

And there were a group of teenage girls who I’ll never forget, who walked by her exhibit and one of the kids said, “Eeeuw, octopus-- gross. Oo, I bet it feels icky to touch it.”

And I said to these three girls, “But look, it’s a mama octopus and here’s the eggs” and instantly these girls changed their minds. Instantly, they were like “oh, how sweet” and they wanted to know more about her.

And after we’d talked for a little while and they stood in awe watching her tend to her hundred thousand eggs.

And when they left, one of girls said to me, “You take care of that little mama.”

And this was somebody they’d found repulsive just minutes before.

sy with hawk spotlight Sy Montgomery engaging in falconry with Harris' hawk named Scout in New Hampshire. (PHOTO: Keith Ellenbogen)

Beth: It seems that humans tend to gravitate towards animals that act like humans. I say that in quotes. I think that you and I both have an interest in animals that act like whoever they are, not mirrors of us. There are animals, that, like an octopus or a snake, that aren’t mirrors of us. How do you go about choosing the animals that you write about?

Sy: Well sometimes they choose me. Um, and sometimes it’s a very careful choice.

My first book was an homage to my heroines--Jane Goodall, Dian Fossey and Birute Galdikas. And that book was about their relationship with their study animals. So, writing about those great apes was a great way for me to start my career writing about the minds of other animals because you know, we’re so closely related to a chimp, you can get a blood transfusion from a chimp. You look into the face of an orangutan and there’s that guy that took you to the prom in junior high. (Beth: laughter) They’re very much like us. But as interested as I am to find the similarities between us and other creatures, like you, I think I’m more fascinated by the differences.

Because this is what stretches our imagination. And also stretches the limits of our compassion. I mean, it makes us more compassionate to imagine, and conceive of and respect and care for other minds, minds that aren’t like our own. And that’s what really fascinates me.

I mean, Henry Beston was saying of animals in his wonderful book, The Outermost House, “You know, they are not underlings, they’re not brethren, they are other nations.”

They’re living by senses that we’ve lost or never achieved.

They can hear voices that we can’t. And this is totally true.

Animals have powers we don’t have: birds can see infrared light; um, octopuses can taste with their skin; um, spiders can shed their exoskeleton, which is more than just shedding your skin, it’s actually shedding your skeleton.

Um, animals have so many senses that we don’t and they’re able probe our world and know our world and know the truth of our world in a way that we can’t. And I love that.

So how do I pick the next critter to write about.

Sometimes it’s that lucky thing that you’re giving a talk on pink dolphins and you happen to meet the person who studies the tree kangaroos in Papua, New Guinea and that did really happen. And that’s how I ended up writing about tree kangaroos in Papua, New Guinea.

You’ll be in the Amazon writing about pink dolphins and you’ll meet the guy who eventually leads you to the golden moon bears.

And other times, I’ve made a deliberate choice and that was the case with octopus. I made a deliberate choice in that point in my career, feeling I’ve written mostly about vertebrate animals. Some of whom, can speak, like the birds, in perfect English to us.

But most of animate creation, most of animal life on our planet is invertebrate. And most life on our planet lives in the sea.

So I felt it like it was time for me to try to write about a marine invertebrate and write about its mind.

And that was what brought me, on that fateful day in March 2011, to the New England Aquarium where a keeper opened the tank that contained Athena, my first octopus.

And she reached for me from the water and I reached for her from the air and that changed my life forever and launched me on this book.

sy montgomery with octopus unsized image Sy Montgomery petting Karma, a giant Pacific octopus. (PHOTO: Tia Strombeck)

Sy Montgomery petting Karma, a giant Pacific octopus. Photo by Tia Strombeck.

The Art of Paying Attention Workshop

Observing nature starts with curiosity about what grows, flies, and crawls around you. Explore our integrated place in nature in a workshop with award-winning wildlife artist and writer Beth Surdut, creator of the illustrated Listening to Raven stories and The Art of Paying Attention NPR radio series.

Sponsored by Pima County and the USA National Phenology Network, for ages 12 and up.

Date & Time: Saturday, March 26, from 10:00 a.m. – 12:00 p.m.

Where: Pima County Agua Caliente Park, 12325 E. Roger Road

Cost: Free with membership, non-member fee: $10. Online registration required.

For more information contact www.pima.gov/nrpr, eeducation@pima.gov, or call 520-615-7855

Visual storyteller Beth Surdut invites you to observe, with unbounded curiosity, the wild life that flies, crawls, and skitters along with us in our changing environment. From exotic orchids and poison dart frogs to local hawks and javelinas, Surdut illustrates her experiences with wild and cultivated nature by creating color-saturated silk paintings and detailed drawings accompanied by true stories.

You can find Surdut's drawings - and true stories about spirited critters - at listeningtoraven.com and surdutblogspot.com.

beth surdut with raven statue unsized

Beth Surdut's illustrated work Listening to Raven won the 2013 Tucson Festival of Books Literary Award for Non-Fiction. Elements of her raven clan have appeared in Orion Magazine, flown across the digitally looped Art Billboard Project in Albany, New York and roosted at the New York State Museum in an exhibition of international scientific illustrators.

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